Difference Between a Grip and a Motion Capture Specialist?

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If you’re interested in the film or animation industry, you may have heard of the terms “Grip” and “Motion Capture Specialist.” While both positions are important to the production process, they have distinct roles and responsibilities. In this article, we’ll explore the difference between a Grip and a Motion Capture Specialist, and what each position entails.Here are the differences between a Grip and a Motion Capture Specialist

Difference between a Grip and a Motion Capture Specialist

Grip:

Sets up equipment on set.
Moves lights around.
Handles heavy lifting on set.
Sets up flags, stands, and tracks.
Can be specialized, such as crane operators or rigging grips.
Works with the Key Grip to execute the DP’s vision.
The Key Grip is in charge of the Grip department.
The Best Boy/Babe Grip manages personnel and equipment for the Grip department.
Grips can stand in as the Key Grip if needed.
Grips are part of the camera department.

Motion Capture Specialist:

Works with technology to capture movement for animation and special effects.
Uses flexible electronics and devices as human-machine interfaces for medical robotics.
Develops augmented reality guided assembly instructions.
Works with AI systems to determine control and intervention options for the human.
Works with natural skin and artificial skin for sensing performance.
Works with medical robotics.
Works with human-computer interaction.
Works with motion capture suits and cameras.
Works with motion capture software.
Works with motion capture data.

Overall, the main difference between a Grip and a Motion Capture Specialist is that a Grip is responsible for setting up equipment and moving lights around on set, while a Motion Capture Specialist works with technology to capture movement for animation and special effects.

What are the specific responsibilities of a Grip on a film set?

The Key Grip

The key grip is the head of the grip department and is responsible for the safety and transport of all camera equipment. They oversee the setting up of all dollies, cranes, tracks and mounts for camera equipment. They make sure all rigging is safe and secure. The key grip also oversees the camera car when shooting exterior moving shots.

The Dolly Grip

The dolly grip sets up, operates and moves the camera dollies during filming. They push, pull or otherwise move the dolly to create smooth camera motion for tracking, dollying and crane shots. The dolly grip works closely with the camera operator to execute the required camera moves.

The Rigging Grip

The rigging grip sets up all the mounting, anchoring and securing equipment needed to safely hoist and position the cameras, lights and other equipment. This includes mounts for car mounts, camera cranes, jib arms and any specialty camera equipment needed for trick shots.

How does a Motion Capture Specialist capture movement for animation?

Motion capture specialists use special suits and sensors to precisely record an actor’s movements. Small reflective markers or sensors are attached at key points on the body. As the actor moves, cameras capture the markers and feed the motion data to computers. This creates a digital representation of the performance that animators can apply to 3D models.

Specialists may use optical systems with multiple cameras, inertial systems with gyroscopes, or magnetic systems with wire loops. They often use software to clean up and process the raw motion data before sending to animators. The motion capture process converts real movement into highly accurate animation data.

What skills are required to become a Grip?

To become a grip, one needs both technical and practical skills:

Extensive knowledge of camera gear, rigging equipment, dollies, and cranes
Skill with knots, ropes, cables, and mounts to safely secure equipment
Spatial awareness and geometry to correctly position equipment
Problem-solving ability to devise custom mounts and rigs
Manual dexterity for equipment setup and strike down
Physical strength and stamina to lift and carry heavy gear
Ability to work collaboratively with the camera department
Attention to detail and safety protocols
Ability to take direction while also working independently
Basic electrical skills to set up lighting instruments
CDL license to drive grip trucks and camera cars

What technical knowledge is necessary for a Motion Capture Specialist?

Motion capture specialists need a strong grasp of the following technical areas:

3D animation principles and modeling
Motion tracking hardware including optical, inertial, and magnetic systems
Sensor attachment and calibration methods
Human anatomy, joint limitations, and biomechanics
Data processing software and algorithms
Cleaning and filtering of motion capture data
Retargeting motion to different models and rigs
Working with mocap data in game engines and animation programs
Troubleshooting capture issues and data artifacts
Physics of movement, weight, momentum, and acceleration
Camera optics, angles, frame rates, and image quality
Working collaboratively with animators, modelers, and technical directors

Can a Grip also work as a Motion Capture Specialist?

It’s unlikely a grip could also work as a motion capture specialist as the skillsets don’t have much overlap.

Grips require specialized knowledge of camera equipment, rigging, cranes, dollies and lighting instruments. The role is very hardware focused and physically demanding.

Motion capture is a software-driven specialty requiring extensive technical knowledge of animation, modeling, sensors and data processing algorithms. It involves a digital workflow and collaboration with animators.

While a grip understands the practical needs of the camera department, a motion capture specialist works in the 3D animation world. The different domains make it difficult for a single person to excel at both roles. Some broad technical aptitude may transfer, but the specific skills don’t align.

How does a Grip work with the camera department?

Grips work hand-in-hand with the camera department to execute camera movements and shots:

The key grip collaborates with the director of photography on equipment selection, shot feasibility and safety procedures.
Dolly grips get direction from the camera operator and 1st AC on executing dolly moves during filming.
Rigging grips mount and secure cameras in places the camera operators need them based on the required shots.
Grips adapt to the camera operators’ needs, troubleshooting issues and making adjustments on the fly.
For moving shots, grips drive camera cars and operate camera cranes to the specifications of the shot.
Grips strike and move camera setups efficiently between shots and locations based on the camera department’s needs.
The focus is on safely facilitating the director and DP’s creative vision with total support for the camera crew.

What is the role of a Key Grip in the Grip department?

As head of the grip department, the key grip manages the team and oversees the safe handling of all equipment. Their main responsibilities include:

Evaluating technical requirements for each camera setup and shot
Creating equipment “wish lists” based on the director’s storyboards
Coordinating logistics for transport and setup of all grip gear
Managing the grip crew and assigning individual roles
Overseeing safe assembly, positioning and striking of cranes, dollies, tracks etc.
Making sure camera cars, process trailers and camera boats are prepped and safe
Providing feedback to the DP on feasibility and safety of planned shots
Troubleshooting issues with rigging, Fox and Chapman heads etc.
Ordering new gear and maintaining inventory
Ensuring the department stays on schedule and on budget
Promoting coordination between grip, camera lighting and production teams

How does the Best Boy/Babe Grip support the Key Grip?

Working under the key grip, the best boy/babe grip takes on a range of organizational duties:

Managing the grip department’s budget and timesheets
Coordinating gear rentals and returns
Maintaining inventory of rigging, electrical and grip equipment
Organizing grip trucks, loading in gear and managing weight distribution
Scheduling additional grips as needed for specialized shots
Ensuring safe protocols are followed when handling gear
Stepping in when the key grip is unavailable
Communicating updates from the key grip to the rest of the team
Supporting the key grip in achieving the director’s creative vision
Troubleshooting issues and revising schedules/plans as needed
Motivating the grip team and promoting coordination between departments

What are some specialized roles within the Grip department?

Beyond key grips, dolly grips, and rigging grips, some specialized grip roles include:

Crane Operator – Operates camera cranes often with remote heads for sweeping shots.
Jib Arm Operator – Controls specialized jib arms for unique perspectives.
Gimbal Operator – Handles advanced 3-axis camera gimbals for stabilization.
Car Mount Grip – Secures and operates camera mounts on vehicles.
Process Trailer Grip – Drives specialized camera trucks with an adjustable camera platform.
Remote Head Technician – Controls remote focus, pan, tilt for cameras in unique positions.
Aerial Grip – Operates cameras mounted to cranes, cables and drones.
Stedicam Operator – Runs with specialized camera stabilization systems.
Underwater Grip – Handles underwater camera housings and lighting.
Motion Control Grip – Operates sophisticated motion control rigs.

How does a Motion Capture Specialist work with AI systems?

Motion capture specialists leverage AI in a few key ways:

Using machine learning algorithms to help clean up and process raw mocap data. This removes noise, filtering artifacts and other errors.
Employing AI to help auto-label mocap data, identifying specific actions and motions. This speeds up the processing pipeline.
Retargeting mocap data to new characters using neural networks. The AI helps adapt motions to different proportions and sizes.
Combining mocap data with procedurally generated motions from AI systems for greater variability.
Using deep learning to cross-reference multiple mocap takes and identify the optimal performances.
Leveraging AI simulations to fill in missing data and predict occluded motions.
Training reinforcement learning agents with mocap data for bots in video games.

Overall, AI assists mocap specialists in capturing, processing, labeling and retargeting motion data. It helps expand the capabilities of mocap.

What is the difference between a Grip and a Dolly Grip?

A grip is a general role in the camera department, while a dolly grip specializes in operating camera dollies.

Grips handle a wide range of equipment like cranes, jib arms, static mounts and securing rigs.
Dolly grips specifically set up, push, pull and move camera dollies on tracks to create smooth motion shots.
All dolly grips are grips, but not all grips work as dolly grips – it is a specialty within the grip role.
Dolly grips collaborate closely with camera operators and focus pullers during the shot.
Grips focus on the broad equipment needs for the entire production.
Dolly grips need additional training and practice in dolly operation to provide stable, consistent camera motion.

How does a Motion Capture Specialist work with flexible electronics?

Motion capture specialists may utilize flexible, stretchable electronic sensors to capture movement:

Thin, rubbery sensor strips can adhere directly to skin for imperceptible motion tracking.
Lightweight mesh networks with flexible sensors can wrap comfortably around joints.
Printed conductive inks allow sensors to stretch and bend with the body’s natural deformations.
Data transmission occurs wirelessly, eliminating rigid wires that restrict movement.
Flexible pressure and accelerometers provide alternatives to rigid inertial sensors.
Elastic sensor arrays contour to complex surfaces like the face for micro-expression capture.
Stretchable sensors enable high-fidelity finger and hand motion tracking.
Soft hydrogel electrodes can record muscular activity for biomechanical modeling.

Overall, flexible electronics increase comfort, natural movement and subtler motion tracking.

What is the career path to becoming a Grip?

A typical career path for a grip would be:

Start as a production assistant to get on-set experience.
Become a grip apprentice or trainee, learning the basics from experienced grips.
Work as a 2nd or 3rd grip, handling simpler camera rigging and equipment.
Advance to become a 1st grip with more responsibility over gear and setup.
Consider specializing by gaining skills in dollies, cranes, car mounts, gimbals etc.
Promote to best boy/babe grip to manage gear ordering, rentals, scheduling.
Achieve key grip status after several years and multiple productions to oversee the full grip department.
Continue mastering complex camera movements, gear options and on-set coordination.
Move up to being a key grip for major studio films with huge budgets and logistics.

What qualifications are needed to become a Motion Capture Specialist?

To become a motion capture specialist, the following qualifications are generally required:

Bachelor’s degree in 3D animation, computer graphics or related field.
In-depth knowledge of motion capture hardware and software.
Understanding of 3D modeling, rigging and animation pipelines.
Programming skills for handling motion data algorithms.
An artistic sensibility for movement and form.
Experience setting up and calibrating mocap systems.
Knowledge of human and animal anatomy and locomotion.
Troubleshooting abilities for capture issues.
Collaborative skills to work with animators and technical directors.
Adaptability to learn and master emerging mocap technologies.
Reel showing mocap technical proficiency and creative implementation.

How does a Grip ensure the safety of equipment and crew on set?

Grips use a range of safety practices:

Thoroughly inspecting all rigging and equipment before use.
Following safety guidelines for equipment weight limits.
Using quality mounts, stands, sandbags and counterweights.
Adding safety straps and cables to secure equipment.
Clearly marking trip hazards like cables and tracks.
Conducting safety meetings to identify risks.
Only allowing properly trained crew to operate specialized gear.
Watching for Any overhead rigging hazards.
Keeping a tidy workspace to prevent trips and falls.
Having fingerprinted standbys when moving heavy objects.
Monitoring weather changes that could affect outdoor gear.
Ensuring dollies, cranes and jibs are operated cautiously.
Making safety the top priority over speed or shots.

What is the relationship between a Grip and a Gaffer?

The key grip and gaffer work hand-in-hand as department heads managing camera and lighting equipment respectively. Good coordination enables smooth productions.

The gaffer provides the key grip with lighting plans to integrate gear with rigging.
The key grip highlights safe mounting points and positions for lighting.
They collaborate on power distribution from generators.
Crane movements are planned cooperatively to avoid lighting collisions.
Safety concerns like cable management are jointly handled.
The departments must communicate changes that affect each other’s setups.
While grips don’t operate lights, they often assist in positioning them.
The gaffer may rely on rigging from the grip department for overhead or practical lights.
Both departments work together to achieve the director and DP’s vision.

How does a Motion Capture Specialist work with augmented reality?

A motion capture specialist may interact with AR in a few ways:

Capturing body motion data to animate AR avatars and digital humans.
Facial mocap to reflect a user’s expressions on an AR character.
Finger mocap to manipulate AR objects with natural hand motions.
Recording mocap data for AR gaming interactions.
Leveraging AR headsets to visualize mocap workflows in real-time.
Troubleshooting capture sessions using AR data overlays.
Employing AR to preview mocap animations spatially before rendering.
Exploring hybrid approaches combining mocap, procedural animation and AR interactions.
Developing mocap techniques to train machine learning models for AR experiences.
Collaborating with AR developers to design intuitive, immersive interactions.

What physical stamina and strength are required for a Grip?

The role of a grip demands:

Strength to lift and position heavy camera gear often overhead.
Stamina for long shoots with constant equipment moving.
Mobility for climbing ladders, stands and studio catwalks.
Flexibility to contort into tight spaces when rigging gear.
Endurance for outdoor shoots in variable weather conditions.
Physical fitness to handle long workdays.
The ability to hold and support gear for extended periods.
The dexterity to handle small components while fatigued.
Tenacity to strike gear and setup for the next shot without delay.
A tolerance for working in awkward positions to get the shot.
The constitution to stay energized and precise under pressure.

How does a Grip set up rigging for the camera?

A grip will use various tools and techniques to safely rig cameras:

Analyzing the camera position needed and mounting points available.
Selecting sturdy stands, frames and pedestals to support the camera.
Using clamps, braces, bungee cords and magic arms to secure cameras.
Devising custom brackets, plates and adapters to achieve unique angles.
Employing suction cups, vice grips and tapes if conventional means won’t work.
Utilizing safety cables as backup for risky or moving shots.
Building overhead rigs and pulley systems to suspend cameras.
Incorporating motion dampeners and counterweights to reduce vibration.
Collaborating with camera operators to refine and evolve setups.

What is the difference between a Grip and a Rigging Grip?

While all grips handle some rigging, a rigging grip specializes in complex equipment installations.

Grips have general skills like dolly, crane, and basic camera mounting abilities.
Rigging grips excel at complex overhead rigs, pulley systems and platforms.
They are experts in cabling, snatch blocks, and securing anchors for heavy loads.
Rigging grips handle challenging shots like vehicle mounts, wirework and physical stunts.
They are often brought on for action sequences and helicopter/drone shoots.
The role requires advanced problem-solving, spatial skills and gear expertise.
Grips support broader production equipment needs while rigging grips handle specialty setups.

How does a Motion Capture Specialist work with natural and artificial skin?

Motion capture specialists may apply natural or synthetic skin materials when capturing surface movements:

Latex or silicone masks stretched over mocap marker arrays to mimic facial expressions.
Prosthetic makeup and appliances with embedded sensors to enhance skin displacement.
Soft flexible gel patches with printed circuits that adhere like simulated skin.
Mocap gloves with actuators and tactile feedback for realistic hand motion.
Skin suits woven from smart fabrics with sensory capabilities.
Temporary tattoo adhesives that attach mocap sensors like second skin.
Elastic polymers and hydrogels that feel like skin for micro-expressions.
Thin membranes allow natural perspiration and respiration during performances.
Realistic materials help actors convey nuanced emotions through mocap.

What problem-solving skills are necessary for a Motion Capture Specialist?

Motion capture requires strong problem-solving skills:

Identifying capture errors like noise, jitter and occlusion issues.
Diagnosing hardware problems with cameras, sensors

Can a Grip also work as a Motion Capture Technician?

It’s unlikely a grip could work as a motion capture technician without extensive retraining. While there is some crossover with technical aptitude, the specific skills don’t directly translate.

A grip understands rigging, camera supports and physics but lacks software and programming expertise. A motion capture technician requires knowledge of animation pipelines, data algorithms and troubleshooting capture issues.

The workflow is also very different – a grip executes physical setups on set while a motion capture technician works in a software-driven virtual environment. It would be difficult to excel at both roles simultaneously without focused training.

However, a grip’s spatial awareness and problem-solving abilities provide a foundation to potentially pivot into a motion capture career later on. But additional education in CG animation and mocap technology would be necessary. The roles are specialized enough that direct crossover is not common.

How does a Grip work with lighting equipment on set?

While grips don’t operate lighting instruments, they play an important collaborative role:

The key grip identifies secure mounting points for lighting rigs.
Grips use rigging to hang and position lights based on the gaffer’s needs.
They provide cabling pathways between lights and power distribution.
Grips build platforms, stands and frames to safely support lighting gear.
For moving lights, they ensure dollies and mounts operate smoothly.
They strategically place sandbags, counterweights and braces for stability.
Safety cables are added as backups for lights in risky positions.
Grips adjust rigging to adapt to new lighting contexts between shots.
Collaboration with gaffers enables lighting designs to be executed safely and effectively.

What is the role of a Grip Trainee in the Grip department?

Working under key grips, grip trainees learn the fundamentals:

Lifting, moving and prepping basic gear like C-stands and sandbags.
Helping unload and organize truck equipment at locations.
Maintaining cleanliness and orderliness of the grip truck.
Assisting in proper coiling and storage of cables and ropes.
Learning basic knots needed for securing camera gear.
Shadowing grips during rigging to absorb their techniques.
Practicing with basic grip hardware like clamps and magic arms.
Studying safety protocols for handling equipment.
Aiding in assembling and disassembling cranes, dollies and platforms.
Gradually earning more responsibilities based on competence.
Advancing grip skills until ready to operate more independently.

How does a Motion Capture Specialist work with medical robotics?

Motion capture can assist with medical robotics in applications like:

Recording precise surgeon movements to optimize robotic surgical tools.
Capturing patient rehabilitation exercises to program physical therapy robots.
Monitoring therapist motion to provide feedback for robotic-assisted treatments.
Teaching robots surgical practices and health care workflows via mocap data.
Simulating patient motions and interactions to refine medical robot designs.
Evaluating exoskeleton and prosthesis prototypes with human motion capture.
Studying ergonomics and biomechanics to improve medical devices.
Analyzing minute facial expressions for human-like social robots.
Adapting mocap data to provide personalized care based on movements.

Overall, motion capture helps enhance precision, responsiveness and empathy in medical robotics.

What is the difference between a Grip and a Camera Operator?

While grips and camera operators collaborate, their roles are distinct:

Grips set up and move camera equipment but don’t operate cameras.
Camera operators are responsible for achieving the desired shots and framing.
Grips facilitate the camera operator’s needs but don’t make creative decisions.
Camera ops focus only on the camera while grips handle all support gear.
Grips build mounts and rigging to place cameras where ops specify.
Camera operators convey what they need while grips troubleshoot the technical execution.
Grips strike and reposition gear between setups; ops stay with the cameras.
Operators requires an artistic eye; grips need more technical problem-solving skills.
Collaborative teamwork between departments ensures shots are captured safely.

How does a Grip work with cranes and dollies on set?

Cranes and dollies require specialized collaboration between grips and camera teams:

Grips thoroughly inspect all cranes and dollies to ensure safety.
They assemble, secure and level all dolly tracks according to plans.
Grips push and steer the dolly for tracking shots based on camera direction.
For crane shots, they hoist, position and stabilize the arm as needed.
They interpret the camera operator’s movements when operating remote crane heads.
Grips control dolly and crane speed and starts/stops to achieve smooth motion.
They execute pan, tilt and focus adjustments via remote controls.
Safety spotters are used to prevent collisions with obstacles.
Constant communication ensures coordinated crane and dolly movements.

What technical requirements does a Grip need to understand about cameras?

Key camera knowledge for grips includes:

Different mounting points, ports and power options by camera model.
Knowledge of each camera’s form factor and weight to select supports.
Underslanding camera sensor size, resolution and lens requirements.
Familiarity with camera controls for remote focus, zoom and iris.
Optimal camera accessory configurations for rail systems, matte boxes etc.
Power consumption and battery options for video village and accessories.
Cable compatibility for camera control, LAN, SDI signal and power.
Ability to balance cameras on gimbals and stabilizers.
Strategies to minimize camera vibration, overheating and interference.
Custom bracketing needs based on camera size and shape.

How does a Motion Capture Specialist work with motion capture software?

Motion capture specialists use specialized software:

To calibrate camera sensors and preview capture in real-time.
For 3D visualization and labeling of mocap data.
To clean, filter and process raw motion capture data.
For kinematic and physics simulations to enhance mocap.
To retarget and apply mocap data to digital characters.
For advanced mocap processing like physics layers and inverse kinematics.
To preview, edit and export motion data to game engines and animators.
To analyze motion data for errors, inconsistencies and gaps.
For automated processing and machine learning applied to mocap.
To customize algorithms and tools to assist their capture workflow.

The software allows precise capture and post-processing of movement.

How does a Motion Capture Specialist work with loco-motor systems?

Motion capture specialists may use specialized locomotor systems when capturing movement:

Treadmills with integrated motion tracking allow natural walking and running gaits.
Resistance machines like robotic arms or pulleys add physical load forces.
Cyclic machines generate inertia and momentum for movements like jumping.
Adjustable terrain rigs change ground friction, angle and stability.
Harnesses and cables enable safe mocap for aerial motions.
Underwater capture systems record swimming movements.
High speed systems capture explosive motions in slow motion.
360 degree systems combine data from all angles for complete capture.
Wireless systems allow untethered capture across large volumes.

The goal is to use locomotor rigs to elicit natural, uninhibited motion dynamics.

What strategies can a Grip use to stay safe when working from heights?

When rigging from heights, grips aim to mitigate risks:

Wearing fall protection like harnesses with lifelines and anchor points.
Using manned lifts or scaffolding with guardrails when possible.
Adding nets or air bags under high spaces lacking railings.
Keeping both hands free for gripping by tying off tools and gear.
Positioning ladders at proper angles and securing ladder bases.
Avoiding overreaching that could lead to falls from ladders.
Inspecting all platforms and rigging points for defects.
Distributing weight properly across rigs to avoid collapse.
Cleaning work areas before rigging to prevent loose object drops.
Communicating fall hazards clearly to the rest of the crew.
Refusing unsafe conditions and stopping work if risks develop.

How can a Motion Capture Specialist adapt data for different CGI characters?

Mocap specialists use techniques like retargeting to adapt data:

Adjust limb lengths in software to map motions to new proportions.
Align mocap data to character joint layouts and rigging.
Scale rotational transforms to compensate for size differences.
Compensate for discrepancies in limb mass and density.
Offset root motions to account for varying height and stride length.
Apply Procedural animation layers like inverse kinematics for variations.
Make selective edits to raw mocap to refine motions.
Use machine learning techniques to transfer stylistic elements between performances.
Simulate secondary dynamics on clothing, hair and accessories.

The goal is retaining the original performance nuance while adapting it to new characters.

How can a Grip shift from features to episodic TV work?

For grips moving from features to episodic TV, some tips include:

Be prepared for a faster-paced work environment and tighter schedules.
Expect to make quick decisions and change setups frequently between scenes.
Know that gear needs to transition between locations rapidly.
Bring modular, flexible tools that can be adapted on the fly.
Get familiar with shooting multi-camera scenes simultaneously.
Understand how to coordinate scene coverage across episodes.
Anticipate occasional long hours and packed shooting schedules.
Work efficiently as time and budgets are more restricted typically.
Demonstrate the ability to operate independently when needed.
Remember that providing options quickly is more crucial than perfect takes.

How can mocap data be used for previs in film production?

Mocap is a valuable previs tool:

Provides initial animation tests for major stunts and effects shots.
Gives realistic motion to animate blocking and choreography.
Allows testing of camera angles prior to production.
Validates action timing to inform scheduling.
Offers physics and spatial context for complex scenes.
Provides asset reference for vehicles, props and wardrobe.
Captures interactive performances between actors.
Rapidly generates iterations to evaluate creative options.
Allows building rough environments and set pieces.
Gives production teams an early look at key sequences.

Overall, mocap drives efficiency and confidence during previs.

Conclusion:

Conclusion: In summary, the difference between a Grip and a Motion Capture Specialist lies in their roles and responsibilities on set. Grips are responsible for setting up equipment and moving lights around, while Motion Capture Specialists work with technology to capture movement for animation and special effects.

Both positions are crucial to the production process and require specialized skills and knowledge. By understanding the unique roles of each position, you can gain a better appreciation for the hard work that goes into creating films and animations. Consider reading other articles like >>>>>>> Duties and Responsibilities of a Film Production Manager to learn more.

Dennis Gayirah

I am a highly experienced film and media person who has a great deal to offer to like-minded individuals. Currently working on several exciting projects, I am a film and media practitioner for over a decade. I have achieved a great deal of success in my professional career.